|
 |
By Richard Gilbert-Hill
(06-08-2005)
Click for
Bio
The Now Casting Film Festival
was born out of our
continuing desire to encourage actors—and filmmakers in
general—to get out there and “make something happen”.
Jesse
Levy is the writer, director, and producer of Red Lion.
|
NOW CASTING: What’s your history with filmmaking?
JESSE LEVY: I made three short films while in Junior High
school in NYC. The less said about these the better although I
get a kick out of seeing them again every, oh, 20 years or so.
In LA in 2001 my team and I shot a half-hour short comedy called
StigmatZa, which we wrapped in 2004 (due to unfortunate
delays). Then in October 2004 we began work on Red Lion, which
we completed in just three months! Talk about changing your
karma!
NC: How did you come across this project?
JL: Red Lion began as a dream I had a few years
ago. StigmatZa was such a naturalistic film, I decided to
do something different for our next project. I liked the dream
imagery I saw and felt this would be a good starting point for a
surrealist style film. So I wrote it and expanded it to what I
felt would be a tolerable length for an audience.
NC: How did you finance this project?
JL:With money. And credit cards. We really cut a lot of
corners and got huge support (and favors) from those we worked
with before. This project came together so well on the limited
budget we had.
NC: How did you gather a cast?
JL: Well, and this is true, we got 90% of our cast from Now
Casting.com! I'm glad I did because I got good people and they
are now part of my stable. If I need to use them again I will.
The rest were friends or friends of friends.
NC: How did you gather a crew?
JL: I used some of the same people I used on StigmatZa.
I had worked both seasons on a Nickelodeon live-action show
called 100 Deeds for Eddie McDowd. I used some of the DPs
from there. The rest were again friends. And just ourselves! On
our last day of shooting it was just the lead actor the DP and
myself doing everything! Talk about tough.
NC: What was the hardest part of pre-production?
JL: As always lining everything up and making sure we had
all that we needed in place. The producer's hat is a hard one to
wear. It's a lot of legwork and a lot of heavy lifting
(literally sometimes). Like loading the flats in to the studio
and putting up the ceiling piece. I'm just not built for that
sort of thing! ...Anymore.
NC: What was the hardest part of production?
JL: Not having enough crew on the last day. Or enough
extras, or enough money, or enough food. I could go on this way
but you get the idea. Shooting on this level requires so much
dedication from everyone and we got that but it would have been
nice to be able to treat everyone to a little more time and
comfort.
NC: What was the hardest part of post-production?
JL: This post-production process was a dream compared to
the last one. By that measure there was nothing hard about this
time at all. And I'd like to say that PlasterCity Digital Post
did a superb job on both our projects. They are technical
wizards but more importantly, they are nice people. All talent,
no attitude.
NC: What did it feel like to have your film picked to
be included in a festival?
JL: Are you kidding? We were floating on air! This film
has been blessed a few times by being selected for various
festivals and screenings but the Now Casting Festival was
special because we got most of our cast from there, and because
of the quality of the other films chosen. It made us all proud
to be a part of it.
NC: What were the biggest lessons you learned in
making this film?
JL: One lesson was just to get the ball rolling. Even if you
don't know where the money is coming from or what to do next.
Just get the project started and let it take on a life of its
own. Also, don't cast your good friends in major roles unless
they can handle the part and can handle being directed by you. I
actually learned that from our last film and applied the lesson
to Red Lion and I think we got a better film out of it as
a result.
NC: Are you interested in making another? And what is
your goal in filmmaking?
JL: Absolutely! Can't wait to get back on the set. We
have several short scripts in mind and one pilot so the next few
years should see JL Open Productions very busy. My
eventual goal is to direct my feature-length script for a major
studio.
Visit Jesse's website by clicking on
www.jlopen.com
As previously announced, all twenty-five Semi-Finalists can be
viewed online for one year. The eight Finalists will remain
online for five years.
Click here
to view the “Top 25” short films of our first Now Casting Film
festival!!
|